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Music in Architecture, Architecture in Music |
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Type:
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Open two-stage
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Registration Deadline:
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15/4/2011
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Submission Deadline:
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Open to:
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international professionals and students
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Entry Fee:
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$20 before March 22 |
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Awards: |
first prize of $1,000, a second prize of $750, and a third prize of $500
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Jury:
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Judges for Stage One [both Modes] will be: Michael Benedikt, Yevgeniy Sharlat, Glenn
Chandler, Edward Pearsall, Carl Matthews, Travis Weller, and Danelle Briscoe, with
input from the caretakers of the Sites.
Judges for Stage Two, Modes 1 and 2, will be Paul Dresher, Michael Rotondi, Michael
Benedikt, Glenn Chandler, Marcos Novak, and Yevgeniy Sharlat.
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Eligibility:
The competition is open to national and international professionals and students in the
fields of music composition and architectural design. Each collaboration should involve
at least one individual from music and one from architecture.
Design Challenge:
The purpose of the Competition is to encourage dialogue between musicians and
architects world over, while offering students and professionals in these and related
fields the opportunity to garner recognition for creative work that integrates their arts at
the deepest levels.
Entrants may choose one of two modes of exploring the music and architecture
relationship in the form of a performance:
Mode 1 [Music in Architecture]: asks for proposals for the design of a temporary indoor
or outdoor installation that will function as an acoustical performance space for an
original piece of music to be composed and played by the composer and/or musicians
as needed [musicians to be provided, if necessary, by the Butler School of Music]. The
idea is to bring out or challenge the acoustical, visual, functional, and/or conceptual
properties of a particular space [listed below], transforming the experience of that space
into one that showcases the synergy between music and architecture, and brings it into
the public realm. Winners of Mode 1 Stage One—six to eight in number—will be
required to construct and perform their pieces at the Symposium on October 19, 2011.
Mode 2 [Architecture in Music]: Here composers are asked to propose music whose
compositional basis is architectural in its origin or conceptual structure, and/or in the
way it creates spaces/edifices in the listener’s mind, and/or how it avails itself of the
several analogies between musical and architectural phenomena [e.g. rhythm, sequence,
proportionality, texture, ascent/descent, emotional tonus, transparency, weight…]. The
architect in this collaboration is imagined to provide experience with, and insights into
architecture’s long engagement with abstract representations of itself and its context. He
or she may also provide a visual component to the proposal, e.g. video projection, stage
effects.
http://www.competitions.org/index.php?option=com_content&view=article&id=867:music-in-architecture-architecture-in-music&catid=37:open-competitions&Itemid=50
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למרות הכל: ענף האדריכלות והעיצוב בתנועה
רענון אביבי לבית: מבצעים והשקות לפסח
מול הכנרת: בית שמרגיש כמו חופשה - אדריכלות ועיצוב: סטודיו 'רות ולבנה' 
צבע כאמירה של שמחה: השפה האופטימית של סטודיו טולה
נשים שיודעות לבנות, לעצב ולהוביל 
קולקציות 2026 אביב
דווקא עכשיו: צאו החוצה מאת שי דוד, מעצב נוף, כרכום 
הגוונים החדשים באקריל - בלורן
מלון בוטיק פרטי: דירה בראשון לציון שעוצבה כפרק חיים חדש - מעצבת פנים שני חיוט
לא רק עיצוב - יצירה מחדש של בית - מעצבת פנים גלית ששון 
הצד השמח של העיצוב: הבחירות שעושות חג בבית
אהבה על שרטוטים: כשהשיפוץ הופך למבחן הזוגיות
הוא רצה מודרני. היא חלמה כפרי. והמעצבות? מצאו דרך שלישית 
עולם המטבחים: כל מה שרצית לדעת
ט״ו בשבט בבית – אדריכלות ועיצוב כדרך חיים המחוברת לטבע